My Fun Area

This section presents a collection of exploratory “Fun-Area” projects, including competition entries, small-scale course exercises, and a series of experimental art practices. Although these works are not large in scale nor built around highly formal or rigorous topics, they function as a meaningful supplement to my primary academic research—revealing the extension of my interests, my willingness to test ideas across different contexts, and the multiplicity of perspectives through which I approach design.Through these lightweight yet insightful explorations, I have continued to strengthen my proficiency in tools such as Grasshopper and Blender, while using these exercises as a means to probe alternative pathways for design and visual research in a more open, speculative, and practice-oriented manner.

HOUSE PRICE SLICES
2025
This is a data visualization project, when the data is just a string of numbers, people can't have intuitive knowledge and understanding of it, see a lot of data, and can't imagine the correlation between the data, as if this project expresses the model, each piece is a longitude on the house price data, presenting the form of high and low.When we combine all the data slices together, you will intuitively feel the reason for the change of the house price, when the city center of the house price will be lower, because most of them are old houses, but go to within 8 kilometers of the house price will increase dramatically, because it is very close to the center of the city, the public facilities are perfect, and it is convenient to live, but outside of the 8 kilometers of the house, the price will be lower and lower until further away, the product changes, from the apartments to the high-grade housing or villas, the price of will rise, but not higher than the city center, these intuitive feeling is purely analytical data can not reach!
Experimental Drawing
2025
These are a series of experimental art works created with diverse material systems. I am particularly interested in studying how different materials behave and generate distinct textures under different environmental conditions, and in incorporating unconventional substances into painting — such as resin, iron filings, plaster, rust, and discarded architectural materials. I am fascinated by using these substances to figuratively simulate natural phenomena such as waves, splashes, and erosion. Through this material-driven mode of making, the work expresses a pure curiosity toward, and a sense of reverence for, the logics and processes of nature.
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